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Mystery
Weekend
Once upon a time, I read a biography of Arthur James
Balfour of Balfour Declaration fame. The book did not really make
the man come alive for me, leaving the impression that he was either
too private or too intellectual to come across as a vivid human
being; or that the author could not do his subtle personality justice.
Nevertheless, I liked what I learned about the "happy prime minister."
I particularly liked him for the fact that in spite of the metaphysical
dabbling which troubled some of his political colleagues, he possessed
a healthy appreciation for the detective story. He was said to have
advised a young man that the best way to get a really good rest
was not to go away for the weekend but to shut himself up in the
house with a detective story. (Or perhaps he said several detective
stories). In any case it is a piece of advice I consider very sound
indeed. Some of the most relaxing weekends I have ever enjoyed were
those I spent quietly with a sense of all work to date completed,
and an absorbing mystery.
My introduction to the detective story was, very conventionally,
through Sherlock Holmes. I was about 9 years old when a cousin enthralled
me with the story of The Blue Carbuncle. Soon after, I was either
given or lent a book about Bugs Bunny's antics involving some Big
Red Apples. On reading it I was struck by the inanity of the plot:
How could Bugs Bunny's adventures compare with those of a man who
could, from a careful examination of a battered old hat, gauge the
physical and mental attributes, the financial situation and the
matrimonial difficulties of its erstwhile owner? I decided that
detectives were far more interesting and entertaining that anthropomorphized
animals.
My childhood affection for Sherlock Holmes did not
wane even after I learnt to think in terms of whodunits rather than
detective stories. The lean, laconic individual of Baker Street
can hold his own with private eyes of the Philip Marlowe genre as
well as the intelligent, understated breed of Inspectors Grant and
Dalgleish. And the dash of French artist blood in his veins ("Art
in the blood is liable to take the strangest form") makes him more
fascinating that the meant-to-be exotic investigators like Hercule
Poirot. But of course it is not the detective, or the spy, alone
who makes a weekend spent with a mystery or two so satisfactory.
Apart form the complexity of the plot and the element of suspense,
the style of writing, the little details that build up the atmosphere
of the story and the fascination of secondary go a long way toward
contributing to my enjoyment of a whodunit.
While Inspector Maigret is a great favorite, Madame
Maigret is an even greater favorite. I like best the stories in
which she features large and comfortable, the image of a good "memere,"
always at her cooking pots, always polishing, always mollycoddling
her big baby of a husband. Even more than the domestic vignettes
of the Maigrets, I enjoy descriptions of the sights and smells of
Paris and the food the gourmand inspector eats with solid appreciation.
The small restaurants he discovers in the midst of his investigations
seem to specialize in robust, full flavored provincial dishes reminiscent
of Elizabeth David's book on French country cooking.
It is probably because of my love of experimenting
in the kitchen, a pastime in which I no longer have time to indulge,
that the eating habits of fictional characters are of such interest
to me. I seem to remember that in one of his adventures, which I
read years ago and the title of which I have forgotten, Maigret
expressed a dislike for calves' liver; in another, however, he claims
that if there is anything he likes better than hot calves' liver
a la bonne femme, it was the same dish served cold. An inconsistency
as intriguing as any of his cases. I cannot recall with clarity
a single plot of any of the stories about Nero Wolfe that I have
read but the flavor of the confabulation he had about food with
his Swiss chef lingers. And it was because this obese private investigator's
fulsome praise of the chicken fricassee with dumplings he ate at
a church fete that I learnt to cook that deliciously homely dish.
Of course one does not read whodunits for memorable
descriptions of food. Does George Smiley ever eat? I cannot remember.
And one does not recollect, as one follows the developments of espionage
in Berlin, that Len Deighton has written a number of cook books.
As for Dick Francis, horse feed it more germane than human diet
to his plots but that does not make his fast-moving tales any less
gripping.
Why is it that Englishwomen produce some of the best
crime fictions? I am thinking of Dorothy Sayers, Josephine Tey,
P.D. James and Ruth Rendall. Theses and probably books have been
written on that subject. It is a mystery I would like to have the
opportunity to mull over some time when a weekend of leisure becomes
a possibility. In the meantime, there are enough complexities in
Burmese politics to keep one's faculties for unraveling intrigue
fully engaged.
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